Walking on Interstices: Tracing the Chora During a residency and symposium at the London College of[…]
Haus der Kulturen Der Welt, Berlin
The House of World Cultures. Towards the canal, an unusual structure is framed in greenery, and[…]
Magazine Article on ‘The Far Becomes Near’
The forthcoming Sharjah issue of Brownbook Magazine features an article I penned on my joint radio[…]
Au Revoir Works! The Songs Remain.
Three of my works, two electric ones and a textile piece, have gone into private and[…]
In the Dead of Night, The Reeds Speak of Separation
An extract from my talk at English Literature Department at University of Bristol, 2017, Animal Utterances[…]
Venice Pavilion That Contains Neither Artists, Nor Art?
2017 Tunisian pavilion curator at Venice, Lina Lazaar explains her thinking behind a phantom art show,[…]
Stitches to Save 9 With – Solo Show March 9- April 24th, 2017, The Mine
No (Wo)man’s an Island, 2017. PVC leather, embroidery. Dimensions variable After several years in my practice[…]
Jebel Hafeet Mountain – جبل حفيت
Driving to Al Ain, towards Oman, at Jebel Hafeet the coral has formed an immense[…]
Noise of the Middle East – Performance
Your drafts folder is a notepad. One I found was this clip taken from the crowd[…]
The Wedding Project – Art Dubai
The Wedding Project forms part of the politics of food programme that has been running at[…]