Bradley-Weaver’s live, experimental music performance, commissions include Circular Landscapes an evolving series of performances for the Maraya Arts Centre, Al Qasba Theatre (Sharjah) and Al Serkal Avenue (Dubai), Sikka Art Fair (Dubai), The Mine (Dubai), Void Gallery for the European Capital City of Culture (Londonderry, N. Ireland), ReUse Kuwait and more.
Together Bradley-Weaver produced an experimental radio series for the Sharjah Art Foundation on radio history in the UAE, featured on Clocktower Radio (New York) and on BBC Radio 4 Xtra (UK).
Bradley’s research has led to presenting at academic conferences and arts symposiums: Animal Utterances (Bristol University), LOMA conference, Points of Listening and guest lectures (London College of Communication), Suden Radio (Villa Romana, Florence), Beirut Arts Centre (Lebanon), Redbull Radio Basscamp Dubai, Haus der Kulturen der Welt (HKW, Berlin), The American University Dubai, Indus Valley School of Art and Architecture (Karachi), REuse Kuwait, Habib University, (Karachi) and New York University Abu Dhabi, Share Conference (in Belgrade, Beirut, Tunisia and Croatia).
As a Quartet
Making electro-acoustic, experimental improv, Oscillatorial Binnage has featured in The Wire music magazine’s Under the Radar compilation release and performing at Cafe Oto (London), Merge Bankside Festival, Wellcome Trust, Tate Modern and more.
Composer and Improviser
Residencies include the Lahore Biennial Foundation, Habib University – Karachi, New York University – Abu Dhabi, Maraya Arts Centre, Sharjah Art Foundation, Beirut Arts Centre, and Malja Studios, Bahrain. Solo for example was, as mentioned above, an Embedded Residency working with cine film, awarded by Sound and Music, UK’s body for sound art and composition and hosted at n.o.where studios (London).